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DUFFY'S CULTURAL COUTURE
Wednesday, 29 April 2015
NYC Artist Rick Prol Exhibition Announcement
Topic: ART NEWS


 


 

 


 


Posted by tammyduffy at 6:21 AM EDT
NYC Artist Rick Prol Exhibition Announcement
Topic: ART NEWS


 


 

 


 


Posted by tammyduffy at 6:21 AM EDT
Monday, 27 April 2015
The Music Man’ Marches into MCCC’s Kelsey Theatre May 8-17
Topic: COMMUNITY INTEREST


 

 

 

The Music Man’ Marches into MCCC’s Kelsey Theatre May 8-17

West Windsor, N.J. – Fast-talking con man Harold Hill is up to tricks and the unsuspecting folks of River City, Iowa, are about to buy into his scheme to create a Boys Marching Band – starring their children!  The Yardley Players present “The Music Man” at Mercer County Community College’s (MCCC’s) Kelsey Theatre in May.  Dates and show times for this enduring Broadway classic are: Fridays, May 8 and 15 at 8 p.m.; Saturdays, May 9 and 16 at 2 p.m. and 8 p.m.; and Sundays, May 10 and 17 at 2 p.m.  Kelsey Theatre is located on MCCC’s West Windsor campus, 1200 Old Trenton Road.  An opening night reception with the cast and crew follows the May 8 performance.

When Harold Hill arrives in the sleepy town of River City, he goes right to work convincing the townspeople that they need a marching band to keep their boys out of trouble.  Expensive instruments and uniforms follow.  The only problem is that “Professor” Hill doesn’t know a trombone from a treble clef and the local folks are getting suspicious.  Plus, Hill has fallen for Marian, the town’s librarian.  When Harold is forced to face the music – literally – how will he prove himself to the town and the woman he loves?

Based on the book, music, and lyrics by Meredith Willson, "The Music Man" came to Broadway in 1957, winning five Tony Awards.  It was made into a 1962 film starring Robert Preston as Harold Hill and Shirley Jones as Marian Paroo.  Among the songs that have become classics of American theater are: “Goodnight, My Someone,” “Till There Was You,” “Gary, Indiana,” “Shipoopi,” and the show-stopping “Seventy-Six Trombones.”

The cast stars Christopher Neuman of Hamilton as Harold Hill and Elizabeth Rzasa of Lawrenceville as Marian Paroo.  Also starring are Laurie Hardy of Hamilton as Mrs. Paroo; Nicky Torchia of Langhorne, Pa., as Winthrop Paroo; James Zimmerman of Hamilton as Marcellus; Shealyn Davis of Newtown, Pa., as Amaryllis; David Danner of Newtown, Pa., as Mayor Shinn; Liz Wurtz of Levittown, Pa., as Eulalie Mackecknie Shinn; Christina Pullen of New Egypt as Zaneeta Shinn; Abigail Kenna of Robbinsville as Gracie Shinn; James Kenna of Robbinsville as Tommy Djilas; and Ron Sangiovanni of Burlington as Charlie Cowell.

Appearing as salesmen and in other roles are: Evan Bilinski of Franklin Park, Nicholas Kianka of Hamilton, Jonathan Logan of West Windsor, Michael Marrero of Hamilton, Daniel Montero of Ewing, Dan Mucha of Yardville, Nathan Parker of Manalapan, Joseph Stockette of Bensalem, Pa., and Michael Torchia of Langhorne, Pa.

Featured as Pick-A-Little Ladies are: Carolyn Anzuini of East Windsor, Pam Booth of Belle Mead, Cathy Coryat of Cream Ridge, Stephanie Harden-Giunta of Lawrenceville, Leslie Kraus of Levittown, Pa., Caitlyn McCloughan of Lambertville, Gina Migliaccio of Hamilton, Ashley Patrick of Langhorne, Pa., Lindsey Rearic of Lawrenceville, Bridget Sweeney of Hamilton, and Charlotte Singh of Princeton Junction.

The teen/children’s ensemble features: William Alena of Princeton, Emma Behrens of East Windsor, Alex Bischoff of Hamilton Square, Addison Blumberg of Yardley, Pa., Mary Rose Brendel of Cranbury, Teddy Brendel of Cranbury, Hayden Clark of Lawrenceville, Quinten Darling of Morrisville, Pa., Margaret DeLucia of Robbinsville, Alana Greener of Princeton Junction, Dylan Katz of West Windsor, Makenna Katz of West Windsor, Marina McLaughlin of Columbus, Clara Rice of Lambertville, Tara Misiura of Hightstown, Jimmy Weinstein of Princeton, and Kaitlyn Young of Robbinsville.

The production staff includes Producer Kristy Davis, Director Marge Swider, Music Director Pat Masterson, Choreographer Laura Murey Ghaffoor, Stage Managers Gene And Whitney Pullen, Set And Sound Designer Mike Almstedt, Costumer Louisa Murey, and Publicist Liz Wurtz.  Props Are By Jill Katz And Patty Walsh.

Tickets for “The Music Man” are $20 for adults, $18 for seniors and $16 for students/children. Free parking is available next to the theater. Tickets may be purchased online at www.kelseytheatre.net or by calling the Kelsey Box Office at 609-570-3333. For a complete listing of adult and children's events, visit the Kelsey website or call the box office for a brochure.


Posted by tammyduffy at 12:01 AM EDT
Friday, 24 April 2015
Soviet Hyperrealists from the Dodge Collection at the Zimmerli Art Museum at Rutgers
Topic: ART NEWS

 

 

Soviet Hyperrealists from the Dodge Collection

at the Zimmerli Art Museum at Rutgers

 

 

The Zimmerli Art Museum at Rutgers continues to introduce the work of “unofficial” artists from the Soviet era to Western audiences with Through the Looking Glass: Hyperrealism in the Soviet Union, a new exhibition of art from the Norton and Nancy Dodge Collection of Nonconformist Art. On view through October 11, 2015, it is the first Zimmerli show to chart the development of Hyperrealism by artists who lived and worked in Estonia, Latvia, Lithuania, Russia, and Ukraine during the late 1970s and early 1980s. Many of these works have never been exhibited outside the former Soviet Union. The artists sought to dismiss the rhetoric, the heroic and idealized subjects, that they collectively recognized in Socialist Realism; However, their work shows that Hyperrealist art was, in fact, complex and multifaceted, often influenced by regional and creative backgrounds. Exploring various themes and mediums, they developed images of Soviet life that reflected their urban and social environments through documentary and metaphysical lenses.

 

“The general impulse that moved the artists' stylistic approach was dissatisfaction with the traditional picturesqueness that defines Socialist Realism,” observes Cristina Morandi, a Dodge Fellow at the Zimmerli and Ph.D. candidate in the Department of Art History at Rutgers, who organized the exhibition. “The title refers to Lewis Carrol´s book Through the Looking Glassbecause it plays with the concept of perception. Like the protagonist Alice – who steps through a mirror in her house – these artists discovered an alternative world: a reflected, specular version of the ‘official’ reality. They dismissed the idealized world that Socialist Realist propaganda presented by showing, instead, what were considered trivial subjects and banal situations. In expanding the definition of ‘realism,’ the artists also challenged the authorized vision of Soviet reality by emphasizing the role of the artist as creator.”

 

Hyperrealist artists found inspiration in Photorealism, which developed in the United States and Europe during the late 1960s and 1970s. It was introduced to audiences in the Soviet Union in 1975 by Armand Hammer when he loaned work from his personal collection for the Moscow exhibition Contemporary American Art. The un-idealized representations of reality – especially those by Chuck Close, Richard Estes, and Andy Warhol – encouraged Soviet artists to apply new methods of translating their reactions to their environments into art.

 

In the 1980s, Hyperrealism became a direct resonator of artists’ personal lives. Many focused on their routine activities, as well as those of the people around them, carefully constructing images intended as a critique of Soviet myths. Their subjects were not heroic laborers, or the grandeur of newly built urban factories and apartment blocks, but scenes of bleak city outskirts and mundane personal activities. They captured the undesirable aspects of the life in Soviet society, exposing what was hidden behind the facade of prosperity portrayed in officially sanctioned artwork. The movement also provided more opportunities for female artists to pursue art careers in an otherwise male-dominated Soviet art scene.

 

A selection of drawings and works on paper demonstrate their mastery of conveying even small detail. The subjects they embraced varied to show the diverse facets of daily life: street situations by Sergei Geta, urban youth by Alex Kutt, portraits combined with abstract elements by Marje Uksine. Printmaker Kaisa Puustak became recognized for her renderings of skyscrapers and railways, which often take on the appearance of photographs. The etchings Tall House I and Tall House II (both 1979) are removed from their realistic environment and raised to a higher level by their precise, symmetrical compositions.

 

A pairing of 1960s Baltic photography with paintings from the 1980s creates a visual dialogue between the two eras. Photographers – notably Zenta Dzividzinska and Aleksandras Macijauskas – elevated ordinary existence to an aesthetic experience with such innovative techniques as cropping boundaries, adopting unusual points of view, and magnifying details. The influence is apparent in Semyon Faibisovich’s Suburbs (1984) from his “City Bus” series. The painting captures aspects of his own experiences living in a gloomy suburb of Moscow, emphasizing crowded public spaces and revealing the psychological inner worlds of fellow citizens. Here, his subjects are represented as reflections in the vehicle’s multiple windows and mirrors. The figures overlap, making it difficult to distinguish exactly where one ends and another begins; yet, they do not interact, they are isolated. They become shadows of human existence enmeshed in their surroundings; allegories of the poor quality of life that characterized the final years of the Soviet Union.

 

Artists’ perceptions of their everyday environments, including common objects, also implied deeper meaning in them. With Seljanka (1975-79), Lemming Nagel combined Pop Art´s fascination with household items and the conceptual insertion of written language to create an oversize, three-dimensional version of this popular Estonian soup. It initially draws comparisons to Claes Oldenburg’s larger-than-life sculptures of food. However, Oldenburg’s sculptures are not exact copies of real objects; Nagel’s depiction is so precisely detailed that it could be “served” at a restaurant. But at nearly four feet in diameter, the bowl’s realism appears absurd, indicating the artist’s intention to encourage viewers to question the optical authority of “realism.”

 

Artists redefined the representation of the body in art, which had been an idealized archetype during the Stalinist era. Petrov’s Shoo! (1985), part of his “water paintings” series, presents an engaging perspective of a nude man and woman through their reflection on the water´s surface. The figures’ faces are muted, shadows distort their individual body parts, and ripples disrupt the surface, making the two appear somewhat otherworldly. Adding to the spatial ambiguity, the figures’ toes are visible at the edge of the water, as if the viewer is standing behind them while they lean down to look into the water. But, of course, the viewer is not reflected, creating an illusion that the figures in the painting are the onlookers.

 

Sergei Sherstiuk was among a younger generation of Hyperrealist artists whose work revealed new concerns. He was a member of the “Group of Six,” which was founded in Moscow in 1980 by the Ukrainian avant-garde painter and philosopher Alexander Tegin. Like several of his contemporaries, Sherstiuk redirected his attention from the urban environment to the artist´s personal and private world, his gaze imbuing trivial moments with metaphorical innuendo. His painting Islands (1982) glimpses the interior of a Soviet apartment, lifting a curtain that covers the alleged privacy of domestic life. It shows a woman and man (with their backs to the viewer) sitting in rigid chairs in a barren room, watching a tiny television on a wall shelf. Despite the close quarters, they seem very distant from each other; and their individual isolation acts as an allegory for the general condition of poverty and alienation experienced by the Soviet population during the 1980s.

 

“Though these works were created more than three decades ago, the sense of alienation, disillusion, and confusion implied by many of the artists remains relevant in today’s worldwide political and economic climate,” noted Marti Mayo, the Zimmerli’s interim director. “It also provides a unique perspective for audiences – a realistic look at what life was like for a society that was veiled from the majority of Americans and Europeans. Younger audience members will gain a better sense of the change in relations between the United States and the Soviet Union, a change that occurred within the last generation and that has long lasting effects.”

 

Through the Looking Glass: Hyperrealism in the Soviet Union was organized by Cristina Morandi, a Dodge Fellow at the Zimmerli and Ph.D. candidate in the Department of Art History at Rutgers. Her areas of study are Estonian and Russian nonconformist art, critical theory, Realism, and 20th-century art. Morandi’s dissertation is devoted to the study of Soviet Hyperrealism in the Baltic countries and Russia in the 1970s and 1980s. The exhibition is made possible by the Avenir Foundation Endowment Fund.

 

 


Posted by tammyduffy at 12:01 AM EDT
Saturday, 18 April 2015
HAM It UP! Offers Full Slate of Family-Fun Activities
Topic: COMMUNITY INTEREST


 

 

 

HAM It UP!

Offers Full Slate of Family-Fun Activities

 

Animals, art and live music take center stage at the Hunterdon Art Museum's second annual "HAM It Up," a family-friendly community day celebration on Sunday, May 3 from noon to 4 p.m.

HAM will preview its summer camp programs, and staff and faculty will lead children through a variety of arts-and-crafts projects.

Lower Center Street in downtown Clinton will come alive with animals including service miniature horses, alpacas and a special appearance by Pee Wee the Painting Pig.

Children can participate in walking pig races, where they will lead toy pigs down Lower Center Street. Winners will receive a gift certificate for a free pink HAM sundae, courtesy of Just Chill.

Flavorganics, sponsor of HAM It Up, will bring its organic syrups to enjoy mixed with imported seltzers from Vintage Importers of Bristol, Pa. Basil Bandwagon Natural Market will also help concoct these unique beverages.

Visitors can enjoy the sounds of 1970s-era Country Rock by Citizens Band Radio, performing their original tunes in a rare local appearance on HAM's terrace. Sharing the stage will be New Jersey-based singer/songwriter Collin J. Rocker.

Om Clinton will lead a yoga demonstration, and Nourish to Heal will present an informative and fun family activity. Edible Jersey Magazine is the event's media sponsor.

Children will also have the opportunity to: 

n       Set up and grow a pizza garden with Margaret Koon from School Lunch Farm, based in Hackettstown.

n       Create "Herb Seed Bombs" -- gumball-sized seed balls for your garden -- and meet the pygmy goats from Emily Hennelly's Anythyme Farm in Mendham.

n       Visit the service miniature horses from Hope's Promise, an organization that provides therapy to a wide range of children and adults with disabilities through equine activities.

n       Check out the alpacas from the Bluebird Alpaca Farm and enjoy a fun activity with wool.

Entry is $10 per person or $20 for a family. Please note that Lower Center Street will be closed the day of the event.


Posted by tammyduffy at 12:01 AM EDT
Updated: Saturday, 18 April 2015 7:18 AM EDT
NATIONAL MUSEUM OF AMERICAN JEWISH HISTORY ONLY US VENUE FOR RICHARD AVEDON: FAMILY AFFAIRS
Topic: ART NEWS


 

 
 
NATIONAL MUSEUM OF AMERICAN JEWISH HISTORY
ONLY US VENUE FOR
RICHARD AVEDON: FAMILY AFFAIRS
 
 
Exhibition featuring more than 70 portraits by the famed photographer opened April 1 at the National Museum of American Jewish History (NMAJH) in Philadelphia will be the only US venue to feature Richard Avedon: Family Affairs, from the collection of the Israel Museum, Jerusalem. The exhibition, which opens on April 1, presents a compelling collective historical portrait of American cultural and political life during the late 1960s and 1970s.
 
Richard Avedon was born to a Jewish family (his father was a Russian-born immigrant and his mother from New York) in 1923. Working until his death in 2004, he shaped America’s image of beauty, celebrity, and politics for over a half century.
 
Famous at an early age, he was well-known for challenging conventions and exploring the boundaries between high art and social commentary. Family Affairs features two monumental projects by Avedon, both illustrating his highly innovative approach to Ilana Blumenthal. 
 
The first is a set of four group portraits, including a massive
mural of the iconic beat poet Allen Ginsberg and his family and three additional portraits shown at a smaller scale ― Andy Warhol and Members of the Factory, The Chicago Seven, and The Mission Council. The second is a series of 69 portraits entitled “The Family” that Avedon created after being commissioned by Rolling Stone to cover the 1976 presidential election. Foregoing traditional photojournalism for the assignment, Avedon used his Deardorff 8 x 10” camera to create arresting black and white portraits of each of his subjects. Avedon created a visual essay on the nature of American politics at the moment when it was most conspicuous. Though his “family
members” have no biological ties (with the exception of Ted and Rose Fitzgerald Kennedy), they are alike in that they all hold positions of power and influence. “The Family” includes the ’76 presidential candidates (Jimmy Carter and Gerald Ford); A.M. Rosenthal, managing editor of the New York Times, famous for publishing the
Pentagon Papers; and W. Mark Felt, later revealed to be “Deep Throat.” Avedon’s subjects also included others at the epicenter of the events and movements of the time (and some who still are today)—including governors, senators, congressmen/women, and a wide swath of varied government officials (Bella Abzug, Jerry Brown, George H.W. Bush, Barbara Jordan, Edward Kennedy, Henry Kissinger, Daniel Moynihan, and Donald Rumsfeld, to name a few), media moguls and journalists (Katharine Graham, I.F. Stone), labor leaders/activists (Cesar Chavez, Ralph Nader, A Philip
Randolph), philanthropists (Walter Annenberg), and many more.
“We are thrilled to be showing Richard Avedon: Family Affairs at NMAJH,” says Dr. Josh Perelman, chief curator and director of exhibitions and collections at NMAJH.
 
“Family Affairs documents a time of extraordinary political and social change in American history by one of the most significant photographers working in the second half of the 20th century. ‘The Family’ component of the exhibition, given its focus on political power in the days leading up to the 1976 election, seems particularly well-suited for exhibition in Philadelphia, the country’s epicenter for the bicentennial celebrations.  And as the country prepares for a presidential election in 2016, the portraits evoke comparisons between the nature of political leadership then and now.” To allow visitors to see “The Family” as it was originally published, NMAJH will provide multiple original copies of the Rolling Stone issue for visitors to flip through, as well as an electronic version that will be delivered via touchscreen. In addition, the Museum will install a photo booth in the middle of the exhibition where visitors can create their own
portraits and share them via social media, encouraging them to ponder the meaning of “portrait photography” in the age of the selfie, while creating a visual representation of NMAJH’s own family of visitors. Complementing the exhibition will be a full slate of
education and public programs, including themed tours, a special family guide, a class about the intersection of photography and Jewish identity, and much more. The full schedule of related programs will be announced in early spring.
 
Richard Avedon: Family Affairs is based on 2014 exhibition organized by The Israel Museum, Jerusalem and features works from its collection. The Museum is also grateful to the Gagosian Gallery and the Avedon Foundation for their cooperation. Special thanks to the Avedon Foundation for loaning additional works to the exhibition.
Major support for Richard Avedon: Family Affairs has been provided by The Director’s Fund and Lynne and Harold Honickman. Additional support has been provided by Macy’s, The Abstraction Fund, Annette Y. and Jack M. Friedland, the Consulate General of Israel to the Mid-Atlantic Region, and Gwen and Alan Goodman.


Posted by tammyduffy at 12:01 AM EDT
Friday, 17 April 2015

Topic: COMMUNITY INTEREST


 


Super Science Saturday: New Jersey State Science Festival

May 9th, 2015
New Jersey State Museum
205 W. State St., TrentonNJ 08625
609-292-6464
 

The New Jersey State Museum will present the 35th annual Super Science Saturday: New Jersey State Science Festival! A FREE fun-filled day with hands-on activities, demonstrations, live entertainment and more. Featuring more than 30 science, technology, engineering and educational groups from around the region including NJ Audubon Society, Jenkinson's Aquarium, NSS Philadelphia Area Space Alliance, Field Station Dinosaur, and many others. Highlights include STEM topics like 3-D printing and robotics demonstrations; a petting zoo to get up close with live farm animals; hands-on fossil and metorite exhibits; plus other activities and workshops. The State Museum Auditorium will also feature exciting live performances.

Experience visually stunning sky and laser shows presented in full dome! Six Planetarium programs will run throughout the day at a discounted price of $5 per person. Free parking in the State House Garage and food vendors will be on site. Visit our website for more information.


Posted by tammyduffy at 12:01 AM EDT
Thursday, 16 April 2015
DOG WALK FOR AUTISM
Topic: COMMUNITY INTEREST

 

 

 


 

  

Mercer County Park

 

Saturday, April 25, 2015

 

Walk with us at the 4th Annual Bark Now for Autism Speaks and help raise funds to support vital research and top-quality programs that are changing the future for those who struggle with autism.

NEW LOCATION: Mercer County Park, 1638 Old Trenton Rd, West Windsor

Check-In opens: 8:30am
5K Dog Walk: 9:00am

MUSIC BY 94.5 PST, LIGHT REFRESHMENTS & MORE!

All registered participants will receive a commemorative t-shirt. Bark Now for Autism Speaks merchandise available for your furry friends. Registration is $25 online, $30 on event day.

Questions or Comments? Contact us at CentralNJ@autismspeaks.org or (609) 228-7332.

Posted by tammyduffy at 7:03 AM EDT
Monday, 13 April 2015
Tribute to Piano Men at Mercer County Park
Topic: COMMUNITY INTEREST

 

 

  TICKETS GO ON SALE TOMORROW

APRIL 14 AT 10AM!!


 

 

 

 

For Piano Men: A Tribute to Elton John and Billy Joel; Two Pianos...One Unforgettable Night starring Broadway's Craig A. Meyer, Almost Elton John, and Donnie Kehr!! At the ‪#‎MercerCountyPark‬ ‪#‎FestivalGrounds‬ on June 6 at 7:30pm!! Fireworks following the concert!!

Order online www.ComcastTIX.com, by phone: (800) 298-4200 or at the Sun National Bank Center Box Office. Visit www.mercercountyparks.orgfor more information.


 


Posted by tammyduffy at 3:49 PM EDT
Updated: Monday, 13 April 2015 3:59 PM EDT
Friday, 10 April 2015
Hamilton’s High Tech Filing System
Topic: COMMUNITY INTEREST

 


 

 

Hamilton’s High Tech Filing System

 

By Tammy Duffy

 


 

 

 

Setting up a good records management program may seem daunting, but our government leaders have responsibilities that are manageable. A little effort in the short term will save an office trouble in the long term. Document accessibility will save government employees the headache of sorting through vast amounts of paperwork, dramatically improving efficiency.

 

Local town leadership’s involvement with records management began the first day they became a part of the public office or employed for local government.

 

The law defines public records very broadly. All records must be managed properly. Most records will be destroyed according to established policies and procedures. The small percentage of records deemed to have permanent value need to be deposited at the State Archives. When the policies are not followed, and records are willfully destroyed, criminal prosecution is in order. A person who violates this section is guilty of a misdemeanor and on conviction is subject to imprisonment not exceeding 3 years or a fine not exceeding $1,000 in many states.

 

What is the role of a public official? Whether you were voted into office, appointed by an elected representative, or hired by a government agency, you are responsible for your organization's records.  Records must be maintained correctly to facilitate the transparency that the public expects of public office-holders.

 

State law makes all public officials responsible for making sure that records no longer needed are either offered to the Archives or are destroyed according to procedures that are spelled out in the states regulations.

 

All Government employees are responsible for records, from elected officials to office clerks. They all need to do our part to preserve the documentary history of Maryland's development.



Transparency of government is only possible through records management. Continuity of records is an integral piece of public officials' responsibility to their constituents. Though it may sound challenging, adhering to good records management practices will be beneficial in the long-term. An office with
easy and reliable access to its records will operate efficiently.

 

During a recent OPRA request I made,  I had the opportunity to visit the Hamilton Township Municipal building in Mercer County.  I was contacted by the County Clerks office that there were over 800 documents for me to review based on my request.  

 

Upon entering the place where these documents were stored I was stunned at the condition of the room. There was visqueen plastic draped throughout the room clothes pinned to the ceiling. There were puddles of brown water laying within the visqueen.  I asked one of the township employees what was the cause of having all this plastic hanging from the ceiling. Their response,” the roof has been leaking for quite some time so we have this up to protect the file cabinets.  Last year, I was in the tax office in the municipal building and saw this same dramatic visqueen plastic set up due to the leaking roof. 

 

The room I was in was filled with numerous file cabinets. These file cabinets house important government records. All of the cabinets in this room had this plastic visqueen above them. There were extensive puddles of brown water scattered throughout the visqueen, above the cabinets. Obviously mold growing from the continued wetness.  Is this how our government documents should be safeguarded? This is also not an optimal work environment for the employees as well.

 

Once I finished examining the files in the metal cabinets, I was given numerous old, collapsed boxes to leaf through to evaluate the documents.  The boxes are not labeled just stuffed with numerous amounts of paper.

 

I had also requested to have emails and digital documents in my request. I obtained an email from the County Clerk which stated,

 

“It is my understanding that the former administration did not archive emails.  We will conduct a keyword search for any and all emails and once received, I will advise. Nothing has been saved prior to 2010.”

 

I am still waiting for a response on this request from the county clerk.

 

Governments are bound by law to protect all records; which includes emails.  which are in their custody.  The law defines the roles laid out in the Annotated Code in an effort to protect records considered essential to the continuing operation of government, guarantee the integrity and preservation of permanent records, ensure the legal admissibility of the permanent record, secure the rights and privileges of citizens, assure public access to the records of government, promote agency legal and fiscal accountability, provide a means to document agency administrative history.


The law also further states that a person may not willfully alter, deface, destroy, remove, or conceal a public record except under proper authority. Exploring the regulations makes it clear that records management is important to the management of your government's responsibilities.

 

The Division and the State Archivist have adopted regulations to define the character of records of archival quality; determine the quantity of those records;  set standards for the development of record retention and disposal schedules; and provide for the periodic transfer to the State Archivist or disposal of records, in accordance with the schedules.

 

Each unit of the government shall have a program for the continual, economical, and efficient management of the records of the unit. The program needs to include procedures to ensure the security of the records; to establish and to revise, in accordance with the regulations, record retention and disposal schedules that ensure the prompt and orderly disposition of records that the unit no longer needs for its operation; and to facilitate compliance the law. One can only imagine if this program exists and if it does how does the leadership ensure its being followed.

 

In the event government documents are in danger of being destroyed (like what I saw at the Hamilton Municipal Building) alternative solutions must be made to ensure the integrity of the government documents. (i.e. rent equipment, storage space, or services for records, including microfilming or photocopying, and, as appropriate).

 

The State does not under any circumstances authorize any local government to perform destruction of a permanent book of account; the destruction of a land record of a clerk of a circuit court; the destruction of any record that relates to the financial operation of a unit of the government or to collection of State , the destruction of any record until the expiration of the period that a statute expressly sets for that record to be kept; the destruction of any public record that a statute expressly requires to be kept permanently.

 

In accordance with the record retention and disposal schedules, a public officials must offer to the Archives any public record of the official that no longer is needed, such as: an original paper; a book;  a file;  a record of a court of record for which an accurate transcript is in use; or  a record that relates to the internal management of or otherwise is a housekeeping record.

 

Unless a government has received written approval from the State Archivist, a public official may not destroy any public record. If a record is destroyed there will be a record of approval of the destruction and how it was destroyed.

  

The custodian of records shall, at the expiration of the custodian's term of office, appointment, or employment, deliver custody and control of all records kept or received in the transaction of official business to the custodian's successor, supervisor, or records officer, or to Archives.

 

Public officials shall notify the Archives of any actual, impending, or threatened unlawful removal, defacing, alteration, or destruction of records that shall come to the agency's attention.  The State Archivist may request the Attorney General to seek appropriate relief.

 

When nonpermanent records are destroyed in accordance with the terms of an approved schedule, the agency or Records Center shall submit a certificate of records destruction to Archives.

 

I have asked the township to reveal the certificates of destruction for all the documents that I have requested in my OPRA request.  I am awaiting their response. The lack of focus on ensuring the integrity of sacred government documents in the local government of Hamilton is very disturbing.

 

As the township purchases body cameras for the police force, one can only question whether or not the digital data that is acquired from the cameras will be appropriately managed.  If you compare it to how the towns records are managed, they need to slow this purchase down and not waste the taxpayers dollars.  How will they ensure the data is secure, archived and managed?  This is a very important aspect when any town makes this large investment in these body cameras. Anyone can make the purchase, but if the data is not managed properly then it’s a waste of everyone’s time and money to make the investment. 

 

ADDENDUM TO STORY: APRIL 19,2015

 

Upon further discussions and follow up with the Mercer County Clerk, who has been in her position for 35  years we learned

Emails just "disappear

All servers just "disappear" when people leave office

No email or digital file was ever saved prior to July 2010, they were all deleted

In the past 35 years there has never been a certification (this properly documents what documents or emails have been deleted or sent to the state archive) done ever in the history of Hamilton township in Mercer County. All certifications come through the County clerk and she has never processed one

The county clerk is well aware of the shenanigans going on with the deletion of files and emails, her own have just disappeared, but nothing has ever been done to rectify the situation or document this behavior is going on. 


Posted by tammyduffy at 10:04 PM EDT
Updated: Saturday, 18 April 2015 7:26 AM EDT

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