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DUFFY'S CULTURAL COUTURE
Saturday, 19 September 2015
Lord and Taylor Hosts Fashion Event for Launch of New Plus Size Lines
Topic: FASHION NEWS

 
 Lord and Taylor Hosts Fashion Event
for Launch of New Plus Size Lines
 
 
By Tammy Duffy
 
 
 
 


 

 
 
 
Lord and Taylor at the QuakerBrige Mall in Lawrenceville, NJ, unveiled two new women's plus size lines today, Two by Vince Camuto and JunaRose.  At Lord and Taylor's, "Every Woman is Beautiful Inside and Out" event,  hair consultations, fashion styling and conversations on the new line were all the buzz for the ladies who attended today.

 

These two new lines are designed specifically for the Plus-size woman who love fashion and appreciates a good value.  Two by Vince Camuto and JunaRose are sure to turn heads.

 


Arriving just last month, these feature stylish basics along with trend-driven statement pieces, no doubt women will love. The price points for both of these lines range from $40 to $125.  You’ll be hard pressed to buy just one piece.

 

Lord and Taylor is synonymous with bringing great design to their customers. With the launch of Two by Vince Camuto and JunaRose, they are stepping up their fashion game for their Plus-size guests.  Garth Simpson, General Manager of Lord and Taylor said, "We are expanding our plus size space in the store. We offer modern, classic and contemporary lines, to fit the needs of all of our customers tastes. Lord and Taylor prides themselves in offering a better assortment of clothing in all categories. The plus sized woman is a very important focus for Lord and Taylor. "

 

Janet Kreisman shopping at the event

 

Duffy interviewed a shopper, Janet Kreisman, during the event. Duffy asked her, "What is most important thing to you when you are buying new clothes?" Ms. Kreisman, replied," I like things to fit loose and be super comfortable. The first thing I look at is the cut of the clothing. The second thing I look at is the color. I stick to black and blues. Although some brands have pretty bright colors they are not what I like to wear. They draw too much attention. From a fabric perspective I do not like polyester. It makes me sweat and is uncomfortable. I prefer cotton, silk and natural blends. In the summer, I prefer linens."  She then grabbed the new Vince Camuto blouse and inspected it thoroughly.

 

In speaking to other shopper as well as the sales team at Lord and Taylor, everyone is quite pleased with the response these two new lines are having with their customers. There are over 15 new looks in the Two by Vince Camuto and over 25 looks with the JunaRose line.  

 

From stylish original prints to the attention to detail and fit, these lines are meant to impress. Beautiful capes, faux fur vests, jeans, blouses, dresses, dress pants, skirts and much more encompass these two new lines. The sales team at Lord and Taylor shared with Duffy that they are selling more of the JunaRose due to the additional available selection with the line at the store. These new lines bring the perfect looks for fall, fulfilling all the new fashion trends.

 

During today's event, Lord and Taylor invited blogger Tammy Duffy (www.tammyduffy.com/artfashion) , Hair Stylist, Ashley Porter of Great Looks Hair Salon, a multicultural salon,  in Lawrenceville, NJ  (www.nj-hair-salon.com/home) and Stylist, Denise Frederickson.  Ms. Frederickson attending workshops at FIT in NYC that focused on fashion styling.  She was an executive assistant at Goldman Sachs in the past. Currently, she currently works as a personal shopper.  

 

These trend-setting ladies had a chance to offer their stylish advice on makeup, what colors to wear and how to glam up ones look. The staff from Laura Mercier and NARS were also on hand to give tips on makeup and creating that new look, all women strive for.

 

 

Ashley Porter from Great Looks Salon doing a hair consultation 

 

Great Looks Salon, is located at 3371 Brunswick Pike, Mercer Mall & Route 1, Lawrence Township, NJ is on the cutting edge of the first true Multicultural hair salon in the area that offers traditional and express services to cater to "all walks of life.  They want to welcome you to an environment and experience that makes you feel warmth, friendship and an authentic appreciation for your patronage. Their goal is to uncover your inner beauty and allow that beauty to be as unique as you are and we welcome the diversity that is a part of your beauty and core. You will be treated like a client that is valued from the minute you walk in until you walk out. 

 

 

Click this link below to see images from the event

 

 https://www.facebook.com/media/set/?set=a.502947893201119.1073741848.359697407526169&type=3&uploaded=26

 

 

 

 

 


Posted by tammyduffy at 8:52 PM EDT
Updated: Sunday, 20 September 2015 7:29 AM EDT
New Exhibition Highlights Work of Sally Spofford, Artist and Longtime Museum Contributor
Topic: ART NEWS

 
 
 
 New Exhibition Highlights Work of Sally Spofford,
Artist and Longtime Museum Contributor
 
 

Sally Spofford, Alphabet Soup 8, 2009, 11.75 X 11.75 in., Collection of Leslie Spofford Russell.

 

  

A new exhibition of the recent work of Sally Spofford not only honors a talented artist, but recognizes the efforts of a significant member of the Hunterdon Art Museum’s community.
 
“She was amazing, smart, witty and fearless,” said Ingrid Renard, who has curated and installed numerous shows at the Museum after being recruited by Spofford years ago. 
 
Spofford passed away in July 2014. The Museum, which has shown her art previously, is presenting an exhibition highlighting the artist’s final work. The exhibition opens Sunday, Sept. 27 with a reception from 2 to 4 p.m. that’s open to all. Refreshments will be served.
“This was the last work that she did, and like her earlier work, it is beautiful and worthy of being shown,” said Marjorie Frankel-Nathanson, executive director of the Museum. “We felt that because she was so involved with the Museum, and such an important member of the Museum family, that we should do this.”
 
The art of ancient civilizations was a major influence and their uses of iconic imagery are core components in Spofford’s art. She became fascinated with Mayan art and that became her gateway into the iconography of other civilizations. 
 
“She was very taken by Mayan aesthetics -- the buildings and the iconography – and you can really see that in her work in this exhibition,” Renard said.
Spofford’s interest in early civilizations later spread to Turkey, Persia and China.
 
“During the search for archetypes, my head became jammed with fragments and details,” Spofford said before she died. “Eventually insights began to lead to assimilation and fusion.”
 
At the age of seven, Spofford realized she wanted to spend her life making art. “I was in second grade attending an outdoor art class. I can remember sketching the patterns on the bark of a sycamore tree and being lost in the process. I felt like I was using all parts of my brain. This was the first time I knew that doing art was going to be the direction much of my life would take,” Spofford said.
 
She attended Swarthmore College as a fine arts major and studied at the Arts Student League and the China Institute in New York City. Her paintings and sculptures have been displayed in exhibitions and galleries, and she lectured widely in museums and universities throughout New Jersey.
 
Spofford served on the Museum’s Arts Advisory Council (a forerunner to the Museum’s current Exhibitions Committee) and Board of Trustees for many years. She installed and curated exhibitions, and was featured in a solo show in 2003. 
 
“Sally was a unique and talented person who is missed.  It will be good to have her work at the Museum,” Nathanson said.
 
Spofford once summed up her work in an artist’s statement: “We’ve all been asked the same questions: who are we and where do we come from? We all know the same stories and use similar images in our art. Shapes, rhythms and patterns appear again and again, and these are the stock of symbols we’ve preserved within ourselves through time.”


Posted by tammyduffy at 12:01 AM EDT
Contemporary Photography Exhibition To Open at Hunterdon Art Museum
Topic: ART NEWS


 

 
 
 
 Contemporary Photography Exhibition
To Open at Hunterdon Art Museum
 


 

Walter Martin and Paloma Muñoz, The Search, 2009-11, C-print on Fujicolor Crystal Archival Paper, Edition 1 of 4, 36.25 X 61.25 in., courtesy of PPOW Gallery.
 
 
 
 
To a photographer, inspiration can appear in many ways: The smile on a child's face, the dew drop on a flower, the angles and whorls in a building's façade.
 
Or it can be something -- an image, an idea, a tableau -- locked in the mind, where it stays until the photographer brings it to life. That is what Made to Capture, the newest exhibition at the Hunterdon Art Museum, conveys.
 
 “The common thread in these works is the artists' shared desire to literally create or build the world that is being captured in the photograph, much like a stage set, doll house or aquarium,” said Kristen Accola, who is curating Made to Capture, an exhibition featuring contemporary photographs. “The artists in this exhibition create everything from story book-like scenarios, to abstract painting-like imagery to dramatic realistic landscapes.”
 
Made to Capture opens Sunday, September 27 with a reception from 2 to 4 p.m. at the Museum. Refreshments will be served, and everyone is invited. It features the work of nine artists and offers a diverse range of concepts and techniques used to re-create visual reality in new and inspired ways.
 
“I hope audiences simply enjoy seeing unusual methods of photography that are intriguing, mysterious, funny, elegantly beautiful or wildly fantastical,” Accola said. “Also, I always hope that visitors see something new in contemporary art that they might not have seen before and get a new visual experience to contemplate.”
For instance, viewers can explore the fascinating snow-globe art of Walter Martin and Paloma Muñoz. The duo builds miniature worlds of complicated human scenarios in dark and snowy landscapes, all of which are created in actual snow globes before being photographed.
“The events implied are always a bit mysterious and totally captivating, like unfinished stories you will never know the ending to,” Accola said. “There is something inescapably intriguing about life depicted under a glass dome in miniature.”
 
The exhibition also includes works from Patrick Nagatani and painter Andrée Tracey, two forerunners in the genre of contemporary photography who collaborated during the 1980s. Nagatani/Tracey stage elaborate photographic tableaux that present an animated color-saturated view of nuclear power that displays a belief in irony and a dark sense of humor.
 
Artists whose works are also featured in the show are: Matthew Albanese, Laura Letinsky, Ken Matsubara, Lauren Semivan and Paulette Tavormina.
 
Contemporary photography has evolved into a main stream fine art medium in the past three decades, having previously been a very separate category of art making, Accola said.
 
“The boundaries that used to confine photography to capturing the world around us as we know it have dissolved,” Accola said. “New technologies and conceptual approaches have resulted in the medium's use in contemporary art that is as conceptually and materially complex as painting can be. As a curator, I am always most interested in the new genres that are the result of both the technological and perceptual innovations of our era.”
 
Made to Capture runs until January 3, 2016. 


Posted by tammyduffy at 12:01 AM EDT
New HAM Show Features ‘Explorer’ Artists Who Reveal the Infinite and Infinitesimal
Topic: ART NEWS


 

 
 New HAM Show Features ‘Explorer’ Artists
Who Reveal the Infinite and Infinitesimal
 

 
Gianluca Bianchino, Temporary Bodies (Details) 1 and 2, 2012, Mixed media sculpture, Dimensions variable.
 
 
 

Microscopes? Telescopes?
 
You don’t typically expect to find either in an art exhibition, but both are main components in Through the Lens, the newest show at the Hunterdon Art Museum. The exhibition invites visitors to explore the artistic possibilities in the infinite and the infinitesimal. 
 
Through the Lens opens Sunday, Sept. 27 with a reception from 2 to 4 p.m. that everyone is welcome to attend. The show runs until Jan. 3, 2016. The exhibition highlights the work of artists Lorrie Fredette and Gianluca Bianchino and features site-specific installations inspired by technology and rooted in nature and scientific discovery.
 
Bianchino’s work investigates physics, particularly as it applies to astronomy, while Fredette is inspired by cellular forms and investigations into viruses and the diseases they cause. Both artists utilize the lens – the microscope or telescope – to reveal the natural world in ways that aren’t visible to the naked eye.
 
The show is comprised primarily of two large installations that allow a fair amount of interplay between the artists, the art and the gallery space. “There’s this pervading idea of movement and exploration weaving in and out of this exhibition, both physically as well as metaphorically,” said Jeanne Brasile, who is the director of the Walsh Gallery at Seton Hall University and is curating this show.
Fredette has been creating a series of new shapes and sizes of wax orbs that will wind around and reside in the various architectural idiosyncrasies of the Museum’s space. “Gianluca has made 10 new ‘portals’that contain viewing lenses through which visitors are transported to another layer of regressive space,” Brasile said.
 
Brasile said the show is enhanced by holding it at a site that served for more than a century as a grist mill before being converted into a museum. “The eccentric and historic architecture is one of the most exciting aspects of the show for us,” Brasile said. “The building and the residue of its past can activate the art in a completely different way, than a white cube space.
 
“If you think about it, mills were part of the whole industrial revolution and were cutting-edge technology back in the day. Gianluca and Lorrie’s interest in science and technology reflects the contemporary impulse in that direction,” Brasile added.
 
The idea to pair the two artists’ work together initially arose from a group show, titled Linear Thinking, which appeared a few years ago at Seton Hall University. As she walked the length of the gallery multiple times each day, Brasile would recall images of Fredette’s and Bianchino’s work being visually superimposed.
 
“I realized that both artists were investigating similar things, but from opposite directions,” Brasile noted. “Gianluca is assembling cosmic expanses on a miniscule scale, and Lorrie is compiling masses of cellular forms magnified tens of thousands of times. I also like the harmony of their approaches: They build aggregates of forms in a semi-intuitive fashion as a means to explore something we cannot know without science and technology. They are both explorers.” 


Posted by tammyduffy at 12:01 AM EDT
Friday, 18 September 2015
Fraud Alert: Criminals Test Stolen Credit-Card Numbers on Charity Websites
Topic: COMMUNITY INTEREST

 

 

 
 

 

 

Fraud Alert: Criminals Test Stolen Credit-Card Numbers on Charity Websites

 

 

 Criminals are using poorly protected charity websites to test the validity of stolen credit-card numbers, cybersecurity experts said this week, costing some groups thousands of dollars. Simplified online donation pages make it easy for people to give — but also serve as prime testing ground for credit-card thieves.

 

"There’s a giant target painted on the industry’s back that is very advantageous for credit-card thieves," said Kevin Conroy, chief product officer at GlobalGiving.

 

Although not a new problem, it is now "near universal," said Matt Holford, chief technology officer at DoSomething.org.

 

Easy Target

 

Stolen credit-card numbers aren’t worth much on the underground market until verified, so thieves use online payment websites to test whether the numbers work. Some thieves pay criminal services groups to do the confirmation work using a bot, — a software application that rapidly enters the numbers into payment websites, said Don Jackson, director of threat intelligence at PhishLabs. If the payment goes through, the criminal-services group reports back to the thief that the credit-card number is valid and will work for making larger fraudulent purchases.

 

Fraudsters also use for-profit retailers to verify stolen numbers. But businesses are often well protected, requiring multiple steps to make purchases such as setting up an account and providing personal information linked to the credit card.

 

Many nonprofits forgo such requirements to reduce obstacles to making donations.

 

That simple design is ideal for a thief or a bot trying to test many numbers quickly.

 

"I think the reason charities and nonprofits are targeted is they want to set it up with as few bars to funding as possible," Mr. Jackson said.

 

Nonprofits are also vulnerable because online donations are not tied to geography, Mr. Conroy said. If someone uses her credit card to buy coffee in her town of residence on the same day a thief uses her credit-card number to buy a television three states away, that may raise a red flag with the credit-card company. A small, fraudulent online donation is unlikely to trigger that detection system.

Costs Soar

The financial costs of these attacks on nonprofits can be significant. Credit-card companies categorize online donations as "card-not-present" transactions and place the burden for recouping fraudulent charges entirely on nonprofits.

 

That means nonprofits have to return fraudulent donations that people report to their credit-card companies. In May 2013, Irish charity the Jack and Jill Children’s Foundation announced that it received and refunded about $170,000 in donations made via stolen credit cards. Most of the donations were less than $7.

 

For each fraudulent charge, charities also have to pay credit-card companies "charge-back" fees, which can be as high as $25. When thieves targeted DonorsChoose.org about three years ago, it had to pay $10 to $20 in charge-back fees for each of more than 100 fraudulent donations, said Jeana Takahashi, the nonprofit’s integrity assurance manager and technical writer.

And once a nonprofit has surpassed a certain charge-back rate threshold — often 1 percent of all transactions in a month — credit card companies may put it on probation and charge it several thousand dollars a month in fines. If the nonprofit can’t lower its charge-back rate, credit-card companies may shut off its merchant account, rendering it unable to accept any donations made with that card brand. Vendors may also temporarily block nonprofits’ ability to process transactions if fraud attempts spike, said Clam Lorenz, PayPal’s general manager of social innovation for North America.

 

Harder to measure but still significant are the costs to a nonprofit’s reputation when people discover that donations were made without their consent.

 

"When you start to have fraud activities associated with you, it damages the name of your charity," Mr. Jackson said.

Tighter Controls

There’s only one way to stop this kind of fraud, Mr. Conroy said: monitoring all online donations.

 

Nonprofits should look out for small donations (some bots randomly generate donations that are not whole numbers, such as $1.32), or a burst of donation activity during a short period of time. They should also look for donations made on a device whose IP address is different from the cardholder’s billing address or is linked to multiple transactions from different cardholders.

To thwart thieves, nonprofits also need to improve online donation forms, said Steven Mac­Laughlin, director of analytics at Blackbaud. He recommends setting a minimum online donation amount of $15. Charities should only accept donations in set increments, ask for credit-card expiration dates and security codes, and turn on address-verification services. PhishLabs recommends requiring donors to provide an email address to which nonprofits mail a donation-verification message and using URLs using URLs for the transaction page that change every time someone makes a donation.

 

Both Mr. Conroy and Mr. MacLaughlin advise against installing Captcha programs — quizzes that require users to interpret a string of misshapen numbers and letters to thwart bots. It’s quick and easy for criminals to get through such screens manually or pay low-skilled workers to do it. As a result, captcha tests can frustrate more real donors than fraudulent ones.

"It’s a speed bump on the way to robbing you," Mr. MacLaughlin said.

Getting Help

Payment-processing vendors also have a role to play, and some vendors are more susceptible to fraud than others, Mr. Jackson said. He mentioned one that has a "relatively sizable share of the charitable-organization market" as being weak because it accepts credit cards from all over world and doesn’t examine payment velocity. He declined to name it.

Mr. Conroy recommends that nonprofits research how prospective vendors prevent and handle fraudulent activity before signing a contract.

"It would be unwise to go solely for the lowest cost option," he said.

Mr. Lorenz advises nonprofits to familiarize themselves with the charge-back reports their payment-processing vendors send. He also says nonprofits should talk to their vendors about available anti-fraud tools and good ways to deter thieves.

Nonprofits may need to buy more sophisticated services from payment processors or hire fraud-detection firms, such as Sift Science, which use the same machine-learning principles as email spam filters, and ThreatMetrix, which uses identification fingerprinting technology. Both of these companies charge per transaction: Sift Science charges 3 to 7 cents for each, although discounts are available for nonprofits, while Donors­Choose.org now budgets about $20,000 a year to pay ThreatMetrix, Ms. Takahashi said.

There is one downside to the system, Ms. Takahashi said: the rate of "false positives," legitimate donations flagged as potentially fraudulent, has risen. DonorsChoose now flags about 3 percent of transactions for extra screening.

But it’s not a big problem, Ms. Takahashi said, and she thinks the extra protection justifies the false-positive risk and the cost.

"We don’t want to make it easy for the bad guys out there," she said.

Charities that have the resources and tech talent may be able to develop internal anti-fraud protections. GlobalGiving created a system to monitor donations as they come in and to assess them later. The system is largely automated, although one employee runs frequent audits, and catches dozens to hundreds of attempted fraudulent donations every week. The nonprofit proactively reverses donations it suspects to be fraudulent to avoid paying charge-back fees later and now makes fewer than 10 charge-back fees each month.

Mr. Conroy declined to share how the system works, calling the fight against fraudsters an "arms race."

"We have to keep some secrets so we can still combat them," he said.

Joining Forces

CTOs for Good, a group of chief technology officers at nonprofits that include DonorsChoose, GlobalGiving, Wikimedia Foundation, Mozilla, Charity: Water, VolunteerMatch, Crisis Text Line, and Global Poverty Project, will discuss this problem at its meeting in October and perhaps produce a paper to share with the public, Mr. Holford said.

"Developing a unified solution is tough because our stacks, payment flows, and payment processors are all different," he said in an email. "But some member groups have come up with smart logic to apply and lessons learned."

Experts agree that each nonprofit has a role to play in helping charities fight back against credit-card verification fraud.

"We should work together and share best practices, look at ways we can share code to do that, and share referrals to off-the-shelf systems that are available," Mr. Conroy said. "We’re only as strong as our weakest link."


Posted by tammyduffy at 1:16 PM EDT
Tuesday, 15 September 2015
HAM Collecting Canned Food Items for Trubek Art Event
Topic: ART NEWS


 

 
 
 HAM Collecting Canned Food Items
for Trubek Art Event
 
 
 
 Help create a giant sculpture using cans of food at the next Katherine Trubek Sundays on the Terrace event on Oct. 4 from 11 a.m. to 2 p.m.
 
The Trubek Sundays on the Terrace series is free and welcomes everyone to participate in a community art project. Families can spend the afternoon or just a short while helping create art.
 
For this project, participants will create a giant sculpture of a Campbell’s Soup can from cans of food.
Canned food items are being collected in the Museum’s first-floor ArtZone now through Oct. 4. After the event, the cans will be donated to local food banks.
 
"This event is a terrific way for everyone to visit our terrace and participate in a community art project, while helping provide food for people in need in the Hunterdon County area,” said April Anderson, education coordinator at the Hunterdon Art Museum. “We encourage everyone to drop off canned food items to the Museum prior to the event and to join us on Oct. 4."
 
 
For more information on this Katherine Trubek Sundays on the Terrace event, please visit www.hunterdonartmuseum.org or call 908-735-8415.
The series was created to honor Katherine Trubek (1904-1991), an artist founder of the Hunterdon Art Museum and is supported with a gift from the Trubek Family.





Posted by tammyduffy at 6:04 PM EDT
Updated: Tuesday, 15 September 2015 6:05 PM EDT
When A Crossing Becomes A Compound
Topic: COMMUNITY INTEREST


  When A Crossing Becomes A Compound

 
 
By Tammy Duffy 
 
  

According to Webster's a stroll is defined as, a short leisurely walk.

 

The Crossings at Hamilton Station, are located in Hamilton, NJ, Mercer County, on American Metro Way.  On their web site they make the claim that this is a "fabulous location that offers the ultimate in commuting convenience, with just a pleasant stroll to the Hamilton train station for fast rail service to Philadelphia, New York, Princeton and Trenton. " This once transit village, has become a "No transit village."

 

Due to the increase in crime and vandalism in the American Metro Way area, what used to be a stroll is now a mini marathon for residents.  There has been multiple broken windows, doors busted up by vandals on the property of late. There are now new signs that have been erected throughout the American Metro Way property. See below.

 

 


 

 

 

So if you are a Hamilton resident or Crossings resident, who used to run, walk or bike  around the American Metro Way buildings (its was perfect and safe way, away from cars and trucks, for its 1.1 mile loop was a great trainer) you will be formally prosecuted, according to the new signs. Do not step off your sidewalk, or face prosecution.

 


 

 

 

The residents of the Crossings at Hamilton can no longer leave their homes and utilize the American Metro Way property as a way to get to the Hamilton train station. According to the way the signs read.  They can no longer utilize this pathway to exercise after a long day at work. If they do, they risk prosecution. Their once easy walk to the train, now becomes a chore. Their homes a glorified compound. The only way in or out of the development now is by car.

 

The residents at the Hamilton Crossings must either drive to the train or walk through the woods, to Princeton Ave (which they are not supposed to do either for it's fenced off and locked at that end), walk on Sloan to enter the train station.  They can no longer cut through the American Metro Way complex to the Hamilton Station. If they do, they risk prosecution.

 

When people get off the train at the Hamilton station, same rules apply. They can no longer walk on the American Metro Way property to get home. At night that is the only lighted area. The Sloan Rd walk to Princeton Ave is completely dark. The best alternative will be to drive at this point. It is not smart to do the Sloan Rd walk at night. The weeds are always overgrown on that aspect of the road, causing people with luggage, baby carriages or just themselves, to walk in the road. There is no shoulder on that part of the road. So at night you really risk getting ran over by a speeding truck or car. The road is not policed, so speeders are prevalent.

 

This is just a sign of the crimes my fellow Hamiltonians?  Or has the Hamilton leadership started a new fitness regime for its residents? Their once "stroll" has become a morning mini marathon.  

In the winter, residents would use the hills on the property to sled and play all day. If they do this now, they risk prosecution. 

 

When things are not properly planned out, this is what happens. You turn a "crossing" into a "compound." 


Posted by tammyduffy at 7:52 AM EDT
Updated: Tuesday, 15 September 2015 8:16 AM EDT
Sunday, 13 September 2015
Birkin Alligator Drama
Topic: FASHION NEWS
 

 

 

HERMÈS SAYS IT'S ALL GOOD

WITH JANE BIRKIN NOW

 


 

 In July, Jane Birkin publicly asked Hermès to remove her name from the brand's bestselling handbag, upset by the inhumane practices of a crocodile farm associated with the French luxury house. On Friday, Hermès issued a statement reinstating its commitment to enforcing ethical regulations with its suppliers, noting that the 68-year-old actress "is satisfied by the measures taken by Hermès":

"Following the heartfelt emotion expressed by Jane Birkin and her request for explanation, Hermès in agreement with her reiterates its firm commitment in the ethical treatment of crocodiles in its partner farms.

Hermès reasserts its commitment to implement best practice in the farming of crocodiles, working with professional crocodile farmers and their attached local communities. This is in strictest compliance with international regulations.

In consultation with local regulatory organizations and associations, Hermès is resolved to evolve its current recommendations to support the development of best standards for the entire profession. In the United States, the document of reference is the Best Management Practices for Louisiana Alligator Forming. We demand that these Louisiana practices be the reference applied by all our suppliers in the U.S.A., Texas included."

In July, PETA released a graphic video of alligators being inhumanely slaughtered in Winnie, Texas, a factory that supplies Hermès with skins that could be used to produce the Birkin bag. CEO Axel Dumas addressed Birkin's concerns with an immediate investigation. Friday's statement from Hermès noted it as an "isolated regulatory," assuring that "an audit carried out in July 2015 showed that all practices on the site are compliant. Any further irregularity will lead to Hermès immediately ceasing relations with this farm."

But PETA (an Hermes shareholder) is still wary of the allegedly mended ties. PETA Founder Ingrid Newkirk has responded to the reports:

 Jane Birkin is a good person, and we think she has been given false assurances by Hermès that it gives a hoot about animals or that what PETA witnessed was – so conveniently – an aberration in the way that it factory-farms and slaughters crocodiles and alligators.

The appalling conditions that PETA exposed are not an "isolated irregularity" at all. In the month that PETA's investigator was employed at the Lone Star Alligator Farm's abattoir in Texas, no inspectors were on site nor was there any mention of inspections, casting grave doubt on Hermès' assurances that it conducts monthly inspections. Had Hermès personnel looked, they would have seen alligators crowded into dark, filthy pits full of alligator waste and grossly inhumane methods used to kill the reptiles – yet nothing was done about it.

We believe Ms Birkin will come to realise that her good name does not belong on a bag made from the cruelly obtained skins of factory-farmed wildlife. 


Posted by tammyduffy at 12:01 AM EDT
Saturday, 12 September 2015
Coach Has A New Luxe Brand
Topic: FASHION NEWS

 
 
 
Coach Has A New Luxe Brand
 


 

 
 
 
 
 Now there's even more reason to keep an eye on Coach during New York Fashion Week. Its first runway show on Tuesday will also see the debut of Coach 1941, the brand's new luxury line.
 

Since former Loewe Creative Director Stuart Vevers took the helm at Coach in 2013, the brand has been shedding its accessible, Middle America image in favor of one that's much more youthful, edgy and higher-end. Coach joined the Fashion Week calendar in February 2014, presenting a spring collection full of covetable outerwear and accessories — and followed it up with an even better offering for fall. And while those presentations helped get the attention of the fashion crowd, relatively few pieces have actually made it into stores. With the creation of a luxury line, we're hoping that will change.

The show, set to take place on the Chelsea High Line, will stream live on Coach's website. Viewers will be able to purchase the spring 2016 collection's saddlebag, designed by Vevers to honor Coach's 75th anniversary next year.

It's exciting news, but whether the new luxury line can help reverse Coach's falling sales remains to be seen.


Posted by tammyduffy at 2:42 PM EDT
Updated: Saturday, 12 September 2015 2:43 PM EDT
GIVENCHY STAGED A POWERFUL TRIBUTE TO NEW YORK CITY AT ITS SPRING SHOW
Topic: FASHION NEWS


 


 

 

GIVENCHY STAGED A POWERFUL TRIBUTE TO NEW YORK CITY AT ITS SPRING SHOW

 
 
 When we heard that Riccardo Tisci was bringing Givenchy's show to New York this season — and that his collection would walk on the anniversary of Sept. 11 — we knew that we were in for something special. The designer's creative DNA has been shaped, in part, by his admiration of the city, and not only did he invite 1,200 local fans of the brand to the event, he also chose a riverside setting (on Pier 26 in Tribeca) that allowed for an unobstructed view of the Freedom Tower from every seat.
 

The venue opened just before sundown, and what awaited guests beyond the metal barricades was a well-planned, multi-sensory experience, orchestrated by artist Marina Abramović. She aimed to create something "respectful and humble" for the somber occasion, beginning with a wooden and scrap metal set constructed of only recycled materials. Performance artists were suspended on platforms against the skyline, as was a monk, whose live chanting set the pre-show mood. After the sun had fully set — a consequence of waiting for Kim Kardashian and Kanye West to arrive an hour after the scheduled start time — a gong signaled the start of the 88-look show, which wound a runway the entire length of the pier. 

A female vocalist provided the soundtrack, which began with the traditional Jewish song "Shalom Aleichem," or "peace be with you," followed by music from a mix of cultures and religions. The clothing was a celebration of Tisci's "greatest hits" from his decade at the house in a clean palette of black and white. A main focus was lingerie-like lace dresses — many that were draped or tied around the body — which had that Gothic (yet romantic) feel the designer is known for. To toughen up these sheer, delicate looks, Tisci incorporated plenty of menswear-inspired suiting pieces — some structured, others done up in fluid silk — and heavy embellishments in the form of metal hoops and chains, hanging pearls and textured leather.

Along with a selection of menswear, the drama really came out halfway through the show when a series of couture-like looks (many of which recalled Tisci's past Givenchy Couture collections) walked the runway. There were voluminous black ballgowns, dégradé feathers, cascades of fringe, impeccably layered paillettes, intricate embroidery and patchwork — each the result of painstaking attention to detail. In true Givenchy fashion, these were topped off with conceptual beauty looks, including sparkling, tribal facial jewelry, lace masks and warrior-like metal headbands.

 Link Below are photos from the show

 http://fashionista.com/2015/09/givenchy-spring-2016-new-york?utm_source=Fashionista&utm_campaign=741e2ad475-Fashionista_Daily_September_14_20159_12_2015&utm_medium=email&utm_term=0_4bdacaea8a-741e2ad475-393658509#&gid=ci01d8665b30022a83&pid=givenchy-rs16-2775jpg

 The casting was predictably stellar, with Tisci muses like Mariacarla Boscono, Candice Swanepoel, Jamie Bochert, Lakshmi Menon, Raquel Zimmermann and Kendall Jenner appearing in the lineup. As the models took their final walk, a haunting version of "Ave Maria" rang out, allowing the audience to soak up the final moments before Tisci took his bow.

In an industry where exclusivity is the name of the game, the powerful vibe of togetherness at the Givenchy show was touching — especially on the anniversary of the biggest tragedy in recent American history. On Friday night, it didn't matter if you were a seasoned editor in the front row or one of the curious fashion fans that lined the standing section; each guest was an equal witness to this phenomenal display of respect and hope for New York City, as well as to one hell of a beautiful show. The runway could have been easier for the models. There were several who fell during the show.


Posted by tammyduffy at 2:25 PM EDT
Updated: Saturday, 12 September 2015 3:25 PM EDT

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